Signed lower right: J. Levine

Louis Sternberg, circa 1950; Private collection, brother-in-law of the above, by descent; Sotheby's, New York, April 16, 2014, lot 105; Private collection, Saddle River, New Jersey, , acquired from the above.

Jack Levine (American, 1915-2010) The Banquet, Part of Election Night, 1954 Oil on canvas 30 x 25 inches (76.2 x 63.5 cm) Signed lower right: J. Levine PROVENANCE: Louis Sternberg, circa 1950; Private collection, brother-in-law of the above, by descent; Sotheby's, New York, April 16, 2014, lot 105; Private collection, Saddle River, New Jersey, acquired from the above. Jack Levine, renowned for his sharp social commentary, was a committed realist and self-proclaimed dramatist devoted to capturing the essence of American life. The Banquet, Part of Election Night, painted in 1954, exemplifies this approach with its timeless narrative and keen foresight. The work depicts the tension surrounding an American election, as reflected in the anxious expressions of the figures. As a leading figure in Boston Expressionism—a 20th-century movement known for its emotional intensity and dark humor—Levine frequently employed satirical scenes to critique high society, big business, and political corruption. Influenced by the Old Masters, Levine was particularly inspired by El Greco's Mannerism. This impact is evident in his use of exaggerated and distorted forms, as seen in the partygoers of The Banquet, Part of Election Night. Their warped, almost melting figures convey a sense of insincerity and caricature, adding a surreal, unsettling element to the scene. The dark color palette and loose, painterly technique further enhance this disquieting atmosphere, which contrasts sharply with the outwardly festive setting. A prominent Social Realist, Levine consistently produced socially conscious art that probed the complexities of humanity, often disregarding prevailing artistic trends in favor of his personal vision. His commitment to Social Realism remains influential, as socially engaged art continues to hold relevance in contemporary practices. This painting serves as a powerful reminder of Levine's dedication to his ethos and his ability to create work that resonates across time. Art historian Milton Brown aptly described Levine as "a history painter for our peculiar times, ultimately concerned with the incongruous relationships, ludicrous events, and ironies of existence that somehow define our political, social, and cultural character." (www.dcmooregallery.com) This insight underscores Levine's masterful blend of satire with a deep, nuanced grasp of the complexities and absurdities inherent in modern life, making his work both timeless and profoundly relevant. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved

Unlined canvas. Under UV exam, the black in the crook of women's arm at lower enter appears retouched. Framed Dimensions 39 X 34 Inches