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Stand 11.06.2025

Sarah Morris

Lot 25
Capital (A Film by Sarah Morris) (für Parkett 61), 2001
Silkscreen


Lot 25
Capital (A Film by Sarah Morris) (für Parkett 61), 2001
Silkscreen

Schätzpreis:
€ 100 - 150
Auktion: 5 Tage

Van Ham Kunstauktionen

Ort: Online
Auktion: 23.06.2025
Auktionsnummer: 1264
Auktionsname: Prints & Multiples | ONLINE ONLY

Lot Details
MORRIS, SARAH
1967 London

Title: Capital (A Film by Sarah Morris) (für Parkett 61).
Date: 2001.
Technique: Colour silkscreen on Somerset.
Depiction Size: 148 x 99cm.
Sheet Size: 151,5 x 101,5cm.
Notation: Signed and numbered.
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 38/70.
Frame: Framed.

Condition:
Sheet minimally wavy. Mounted on verso. Otherwise the work is in very good condition.

With parquet magazine.

"Sarah Morris's work languishes in the perceptual fields of late-twentieth and early-twenty-first century capitalism. This world is made of flat grids which mimic perspective while denying the phenomenal experience of the referent (of which there is none except codes and signals drawn from the language of geometric abstraction; modernist urban architecture; Op Art; the poetics of everyday life stripped of the experience of everyday life)." Thyrza Nichols Goodeve, Parkett Nr. 61, 2001.

Artikel zu Werk und Künstler aus Parkett Edition Nr. 61.
Lot Details
MORRIS, SARAH
1967 London

Title: Capital (A Film by Sarah Morris) (für Parkett 61).
Date: 2001.
Technique: Colour silkscreen on Somerset.
Depiction Size: 148 x 99cm.
Sheet Size: 151,5 x 101,5cm.
Notation: Signed and numbered.
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 38/70.
Frame: Framed.

Condition:
Sheet minimally wavy. Mounted on verso. Otherwise the work is in very good condition.

With parquet magazine.

"Sarah Morris's work languishes in the perceptual fields of late-twentieth and early-twenty-first century capitalism. This world is made of flat grids which mimic perspective while denying the phenomenal experience of the referent (of which there is none except codes and signals drawn from the language of geometric abstraction; modernist urban architecture; Op Art; the poetics of everyday life stripped of the experience of everyday life)." Thyrza Nichols Goodeve, Parkett Nr. 61, 2001.

Artikel zu Werk und Künstler aus Parkett Edition Nr. 61.

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