Die aktuellen Kunstangebote der wichtigsten Auktionshäuser weltweit.
Tausende Kunstauktionen pro Jahr mit hunderttausenden Werken! Wer als Kunstsammler nichts verpassen will, muss sehr viel Zeit investieren - oder das Team von Auction Spotter für sich arbeiten lassen!
Entdecken Sie bei uns Angebote zu Ihren Lieblingskünstlern - auch an Orten wo Sie diese nie gesucht hätten.
Melden Sie sich kostenlos an und werden auch Sie zum Auction Spotter! Lassen Sie sich von unseren kuratierten Suchen inspirieren, profitieren Sie von individualisierten Vorschlägen. Speichern Sie Ihre Suchen und Lieblings-Kunstwerke.
Andrew Verster
South African 1937-2020
Islands
signed and dated 90
oil on canvas, six framed as one
120 by 135cm excluding frame; 129,5 by 143,5 by 5cm including frame
Strauss & Co, Cape Town, February 2012, lot 631.
"When [Verster] portrays a landscape, his concern is not with the details of its physical reality, but with a setting in which human presence has been felt, with the ambience of an environment from which man is only temporarily absent. Thus, the heightened sense of isolation in his many views of deserted beaches, often stacked with empty deckchairs; or the fragmentary gardens glimpsed through windows, which are imbued with a compelling intimacy by the implication that the onlooker shares the prospect with an unseen viewer in the room." - Esmé Berman1
1.Esmé Berman (1996) Art and Artists of South Africa, Johannesburg: South Book, page 476.
Lot Details
Andrew Verster
South African 1937-2020
Islands
signed and dated 90
oil on canvas, six framed as one
120 by 135cm excluding frame; 129,5 by 143,5 by 5cm including frame
Strauss & Co, Cape Town, February 2012, lot 631.
"When [Verster] portrays a landscape, his concern is not with the details of its physical reality, but with a setting in which human presence has been felt, with the ambience of an environment from which man is only temporarily absent. Thus, the heightened sense of isolation in his many views of deserted beaches, often stacked with empty deckchairs; or the fragmentary gardens glimpsed through windows, which are imbued with a compelling intimacy by the implication that the onlooker shares the prospect with an unseen viewer in the room." - Esmé Berman1
1.Esmé Berman (1996) Art and Artists of South Africa, Johannesburg: South Book, page 476.