Home
keyboard_arrow_right
Suche
Detailsuche
Suchen Kuratierte
keyboard_arrow_right
Auktionen
Auktionen
Auktionshäuser
keyboard_arrow_right
My
spotter
keyboard_arrow_right
DE
EN
CN
FR
keyboard_arrow_right
€
€
£
$
AUCTION SPOTTER ALS APP
AUCTION SPOTTER ALS APP
Home
Suche
Auktionen
Auktionen
Auktionshäuser
My
Spotter
0
DE
EN
FR
CN
€
€
£
$
Künstlername
Künstlername
Datierung von/bis
bis
Preis in €
bis
Suchen
highlight_off
Merken
Teilen
Stand 18.04.2024
Fernando Botero
search
Suche für diesen Künstler speichern
chevron_right
Lot 77043
Caballo
Marble
47,0 x 24,1 x 47,3 cm (18,5 x 9,5 x 18,6 in)
Zoom
Lot 77043
Caballo
Marble
47,0 x 24,1 x 47,3 cm (18,5 x 9,5 x 18,6 in)
Schätzpreis:
US$ 500.000 - 700.000
€ 471.000 - 659.000
Auktion: 12 Tage
Heritage Auctions Texas
Ort: Dallas, TX
Auktion: 14.05.2024
Auktionsnummer: 8164
Auktionsname: Modern & Contemporary Art Signature® Auction
Anbieter kontaktieren
chevron_right
Objekte dieser Auktion
chevron_right
Zum Anbieter
Lot Details
Objektbeschreibung
Provenienz
Essay
Zustand
Signed on base: Botero
Contini Gallery, Venice; Private collection, acquired from the above.
Fernando Botero (1932-2023) Caballo Marble 18-1/2 x 9-1/2 x 18-5/8 inches (47.0 x 24.1 x 47.3 cm) Signed on base: Botero PROVENANCE: Contini Gallery, Venice; Private collection, acquired from the above. NOTE: This sculpture is located in New York City and is being offered in situ. The buyer will be responsible for making deinstallation and shipping arrangements from this location. "For my entire life, I've felt as if I had something to say in terms of sculpture. It's a very strong desire...pleasure-that of touching the new reality that you create. Certainly, in a painting you give the illusion of truth, but with sculpture, you can touch its reality...If I paint a knife in my pictures, it's imaginary, but if I sculpt it, then the sensation of having it in your hand is real- it's an object from your spirit, it's a sensual experience even in its execution. It brings a special joy to touch the material with your hands." -Fernando Botero, as quoted in E. J. Sullivan, Botero Sculpture, New York, 1986, p. 13. Fernando Botero is widely regarded as one of the most famous contemporary Latin American artists. His distinctive style treats figures, objects, and landscapes with a conspicuous and exaggerated voluptuousness. This preoccupation with volume appears as a consistent hallmark throughout Botero's career, from his earliest endeavors as a young prodigy to his later work. A magnificent example of Botero's celebrated style, Caballo possesses the soft rotundity that he so relentlessly pursued, expertly rendered in white marble. In 1972, Botero embarked upon a pivotal artistic exploration, transitioning into sculpture. In this endeavor, he initially experimented with materials such as wood and clay before graduating to the challenges of bronze and marble. A decisive juncture in Botero's developmental journey occurred during the early 1980s when he dedicated his summers to the art of sculpture. His studio during this period was in Pietrasanta, a picturesque town on the Tuscan coast, renowned for attracting an array of illustrious artists, from Michelangelo to Isamu Noguchi and Henry Moore. "It provided the ideal conditions for sculpting," Botero explained. "Centuries of art are breathing there." He considered sculpture "a natural extension" of his painting; "for me," he allows, "sculpture is painting without borders." Botero's sculptural repertoire faithfully echoes the subjects and motifs recurrent in his painted compositions: human figures, both male and female, bathers, dancers, animals, and mythological characters. The monumental quality and sheer physicality of Botero's corpulent figures manifest most vividly within the domain of sculpture. In this medium, the two-dimensional plainness of his pictorial surfaces gives way to a sense of mass and form that reverberates with echoes of the Renaissance masters, notably Giotto, Michelangelo, Raphael, and Uccello, all of whom he studied and deeply admired. Beyond his native Medellín, Colombia, where a multitude of Botero's sculptures can be encountered, his monumental works grace the thoroughfares of major metropolises across the globe, including New York, Paris, Barcelona, Madrid, Jerusalem, Bamberg in Germany, and Yerevan in Armenia. An illuminating testament to the artist's enduring international appeal was the retrospective exhibition held in 2015. This remarkable undertaking commenced in Beijing and travelled to Shanghai, underscoring Fernando Botero's artistic contributions' global resonance and enduring significance. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved
Presents very well. A very few faint scratches on the front legs. A minor chip on front left top corner of base. Minor surface dust.
Lot Details
Objektbeschreibung
Signed on base: Botero
Provenienz
Contini Gallery, Venice; Private collection, acquired from the above.
Essay
Fernando Botero (1932-2023) Caballo Marble 18-1/2 x 9-1/2 x 18-5/8 inches (47.0 x 24.1 x 47.3 cm) Signed on base: Botero PROVENANCE: Contini Gallery, Venice; Private collection, acquired from the above. NOTE: This sculpture is located in New York City and is being offered in situ. The buyer will be responsible for making deinstallation and shipping arrangements from this location. "For my entire life, I've felt as if I had something to say in terms of sculpture. It's a very strong desire...pleasure-that of touching the new reality that you create. Certainly, in a painting you give the illusion of truth, but with sculpture, you can touch its reality...If I paint a knife in my pictures, it's imaginary, but if I sculpt it, then the sensation of having it in your hand is real- it's an object from your spirit, it's a sensual experience even in its execution. It brings a special joy to touch the material with your hands." -Fernando Botero, as quoted in E. J. Sullivan, Botero Sculpture, New York, 1986, p. 13. Fernando Botero is widely regarded as one of the most famous contemporary Latin American artists. His distinctive style treats figures, objects, and landscapes with a conspicuous and exaggerated voluptuousness. This preoccupation with volume appears as a consistent hallmark throughout Botero's career, from his earliest endeavors as a young prodigy to his later work. A magnificent example of Botero's celebrated style, Caballo possesses the soft rotundity that he so relentlessly pursued, expertly rendered in white marble. In 1972, Botero embarked upon a pivotal artistic exploration, transitioning into sculpture. In this endeavor, he initially experimented with materials such as wood and clay before graduating to the challenges of bronze and marble. A decisive juncture in Botero's developmental journey occurred during the early 1980s when he dedicated his summers to the art of sculpture. His studio during this period was in Pietrasanta, a picturesque town on the Tuscan coast, renowned for attracting an array of illustrious artists, from Michelangelo to Isamu Noguchi and Henry Moore. "It provided the ideal conditions for sculpting," Botero explained. "Centuries of art are breathing there." He considered sculpture "a natural extension" of his painting; "for me," he allows, "sculpture is painting without borders." Botero's sculptural repertoire faithfully echoes the subjects and motifs recurrent in his painted compositions: human figures, both male and female, bathers, dancers, animals, and mythological characters. The monumental quality and sheer physicality of Botero's corpulent figures manifest most vividly within the domain of sculpture. In this medium, the two-dimensional plainness of his pictorial surfaces gives way to a sense of mass and form that reverberates with echoes of the Renaissance masters, notably Giotto, Michelangelo, Raphael, and Uccello, all of whom he studied and deeply admired. Beyond his native Medellín, Colombia, where a multitude of Botero's sculptures can be encountered, his monumental works grace the thoroughfares of major metropolises across the globe, including New York, Paris, Barcelona, Madrid, Jerusalem, Bamberg in Germany, and Yerevan in Armenia. An illuminating testament to the artist's enduring international appeal was the retrospective exhibition held in 2015. This remarkable undertaking commenced in Beijing and travelled to Shanghai, underscoring Fernando Botero's artistic contributions' global resonance and enduring significance. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved
Zustand
Presents very well. A very few faint scratches on the front legs. A minor chip on front left top corner of base. Minor surface dust.
17 weitere Werke von Fernando Botero
Alle ansehen
chevron_right
12 Tage | Heritage Auctions Texas
Fernando Botero
77041
Portrait of Sebastián de Morra (after Velázquez)
, 1960
Charcoal and pastel on brown paper
€ 94.000 - 141.000
12 Tage | Sotheby's New York
Fernando Botero
412
The Street
, 2010
oil on canvas
€ 560.000 - 746.000
12 Tage | Sotheby's New York
Fernando Botero
401
Pedro with Monkey
, 1972
pastel on paper
€ 466.000 - 653.000
12 Tage | Sotheby's New York
Fernando Botero
403
Colombiana comiendo banana
, 1982
oil on canvas
€ 326.000 - 420.000
12 Tage | Sotheby's New York
Fernando Botero
245
Perro
, 1989
marble
€ 326.000 - 420.000
12 Tage | Sotheby's New York
Fernando Botero
405
Hombre y caballo
, 1997
oil on canvas
€ 233.000 - 326.000
12 Tage | Sotheby's New York
Fernando Botero
407
La costurera
, 1997
oil on canvas
€ 326.000 - 420.000
12 Tage | Sotheby's New York
Fernando Botero
410
Leda and the Swan
, 2006
bronze
€ 560.000 - 746.000
12 Tage | Sotheby's New York
Fernando Botero
406
Gato
, 1999
bronze
€ 373.000 - 560.000
12 Tage | Sotheby's New York
Fernando Botero
242
Man on Horseback
, 1985
bronze
€ 560.000 - 746.000
Fernando Botero
ist in folgenden kuratierten Suchen enthalten
America's Leading Gallery Artists
Post War Art
Bestseller Artists
Contemporary Art
Bestseller Artists--Contemporary Art
Neue Figuration
keyboard_arrow_right
X
Kunstauktionen - aus der ganzen Welt
- auf einen Blick !
Laden
X
Kunstauktionen - aus der ganzen Welt
Auf einen Blick !
Installieren
X
Für mich
Meine Suchen
Gemerkt
Suche