etching with aquatint, on Rives BFK paper, 1965, signed and dated in pencil, numbered 21⁄25 (there were also ten artist's proofs); together with #14 (Phyllis on the patio, 6-16-65 in drypoint in plate), etching and drypoint, on Rives BFK paper, 1965, signed and dated in pencil, numbered 16⁄25 (there were also ten artist's proofs), each published by Crown Point Press, Berkeley, each with margins, framed
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