Stand 16.04.2024

Karl Schmidt-Rottluff

Lot 121002668
Heimkehrende Kühe, 1922
Woodcut in colors

39.7 x 50 cm

Lot 121002668
Heimkehrende Kühe, 1922
Woodcut in colors
39,7 x 50,0 cm

Schätzpreis:
€ 2.000 - 3.000
Auktion: 12 Tage

Ketterer Kunst GmbH & Co KG

Ort: Munich
Auktion: 15.05.2024 15:02 Uhr
Auktionsnummer: 22
Auktionsname: Online Only

Lot Details
Woodcut in colors from three blocks: brown, orange, green.
Rathenau 27. Signed, dated and inscribed with the work number "272". On wove paper. 39.7 x 50 cm. Sheet: 56,5 x 80,5 cm.
- Richest version of this woodcut in four (instead of three) colors. - Only two further copies have been offered on the international auction market (source: artprice.com). - Within Schmidt-Rottluff's extensive graphic oeuvre, there are only very few of these elaborate color woodcuts. - The clear lines and a tendency towards simplified forms have significantly influenced the graphic art of German Expressionism. - It was precisely in the technique of woodcuts that Schmidt-Rottluff found his most concise artistic expression.
LITERATURE: Villa Grisebach Auktionen, Berlin, 57th auction, Kunst des 19. und 20. Jahrhunderts, May 31, 1997, lot 207. Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 111, SHG no. 248 (illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022)
Galerie Nierendorf, Berlin (acquired from Hauswedell & Nolte in 1969, with the inventory number on the reverse. Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032, acquired in 1997, Villa Grisebach, Berlin, May 31, 1997, lot 207)
Good overall impression. Minimal mount stainign. Handling marks and creases in the white margins. Isolated superficial pressure marks in the white margins.
Lot Details
Woodcut in colors from three blocks: brown, orange, green.
Rathenau 27. Signed, dated and inscribed with the work number "272". On wove paper. 39.7 x 50 cm. Sheet: 56,5 x 80,5 cm.
- Richest version of this woodcut in four (instead of three) colors. - Only two further copies have been offered on the international auction market (source: artprice.com). - Within Schmidt-Rottluff's extensive graphic oeuvre, there are only very few of these elaborate color woodcuts. - The clear lines and a tendency towards simplified forms have significantly influenced the graphic art of German Expressionism. - It was precisely in the technique of woodcuts that Schmidt-Rottluff found his most concise artistic expression.
LITERATURE: Villa Grisebach Auktionen, Berlin, 57th auction, Kunst des 19. und 20. Jahrhunderts, May 31, 1997, lot 207. Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 111, SHG no. 248 (illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022)
Galerie Nierendorf, Berlin (acquired from Hauswedell & Nolte in 1969, with the inventory number on the reverse. Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032, acquired in 1997, Villa Grisebach, Berlin, May 31, 1997, lot 207)
Good overall impression. Minimal mount stainign. Handling marks and creases in the white margins. Isolated superficial pressure marks in the white margins.

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121002671 Lago Maggiore , 1930
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121002796 Gespräch vom Tod , 1920
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Karl Schmidt-Rottluff ist in folgenden kuratierten Suchen enthalten
Kunstauktionen - aus der ganzen Welt
- auf einen Blick !
Kunstauktionen - aus der ganzen Welt
Auf einen Blick !
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